about

Erik Ljung is a two-time Emmy Award–winning Director of Photography and Director based in the Midwest. His debut feature documentary, The Blood is at the Doorstep, premiered at the 2017 SXSW Film Festival and was named a Critics’ Pick by The Hollywood Reporter.

With a background in directing, Erik brings a story-first approach to his cinematography—crafting visuals that deepen narrative and character with intention and nuance. He moves seamlessly between large-scale commercial productions and intimate documentary work, always grounded in authenticity.

Erik has collaborated with leading global brands and agencies to create award-winning campaigns, including a Cannes Titanium Lion–winning project for Boost Mobile, and has earned two Emmy Awards for his work with The New York Times.

A former Nohl Fellow and three-time recipient of the Brico Forward Fund, Erik was also named a 2020 Creative Capital finalist, recognizing his multidisciplinary visual art practice.

When he’s not behind the camera, you’ll likely find him logging long miles on a run, hitting the gym, rollerskating, dancing to techno into the early morning, or recovering from it all at the local schvitz.

contact: erik@erikljung.tv

Download CV | iMDbprofile

Skills

  • FAA Certified Drone Pilot

  • Gimbal Operator

  • Rollerskate / Ice Skate Camera Op

  • Verité Doc Coverage

  • Stylized Interview Set-Ups

  • Remote / Zoom set up

Honors

  • 2026 Peabody Award - News - “Immigration Crackdown” PBS News Hour

  • 2026 Emmy Nomination News & Doc - Outstanding News Discussion & Analysis - “We Followed the Rules, ICE Jailed Us Anyway” - New York Times Opinion Video

  • 2023-2026- SXSW Screener - Documentary Shorts

  • 2025 Emmy Nomination News & Doc - Editorial & Opinion Video - “How Tennessee Keeps Nearly Half a Million People From Voting” - New York Times Opinion Video

  • 2024 Emmy Nomination - VICE News - The Hidden Chemicals Destroying American Farms - Outstanding Climate, Environment, and Weather Reporting

  • 2023 Creative Futures Mentor

  • 2022, 2023 - Emmy Judge for National News & Documentary (Cinematography Category) - National Academy of Television Arts & Sciences

  • 2022 Emmy Nomination - Al Jazeera Fault Lines: Buried Truths:America’s Indigenous Boarding Schools - Outstanding Hard News Feature: Long Form

  • 2022 SXSW Audience Award for Documentary Spotlight - “We Are Not Ghouls” (credit: DP, Directed by Chris James Thompson)

  • 2022 NPPA Best Documentary of the Year - Runner-Up - The New York Times Visual Investigations: A Fatal Night in Kenosha - How The Rittenhouse Shootings Unfolded

  • 2022 duPont-Columbia Awards Finalist for The New York Times - “Visual Investigations: How the Police Killed Breonna Taylor”

  • 2021 Soho House x Creative Futures Collective Mentorship Program - Mentor

  • 2021 Emmy News & Documentary Award Winner (2) for The New York Times - “Visual Investigations: How the Police Killed Breonna Taylor” - Outstanding Long Feature in a Newscast & Best Story in a Newscast

  • 2021 Video Consortium Sony Mentorship Program - Mentor

  • 2020 Emmy’s News & Documentary Nominations (2) for Al Jazeera’s Fault Lines - “In Bad Faith” - Outstanding Investigative Reporting in a Newsmagazine, Best Story in a Newsmagazine

  • 2020 - Vimeo Staff Pick Short Film - Mothers For Justice

  • 2020 - Vimeo Staff Pick - The Blood is at the Doorstep (limited release)

  • 2020 - Creative Capital Finalist>>

Recent clients

Recent Clients (commercial / documentary): The New York Times, VICE News, Netflix, Apple, Harley, HBO, Porsche, Google, Hermes